Artl@s – 2009-2019: 10 Years of Research and Digital Approach to Globalize Art HistoryARTL@S Bulletin - Last Issue - Volume 7, Issue 2 (2018) Cartographic Styles and Discourse Guest Editor: Delia CosentinoWAS - Women Artists' Shows.Salons.SocietiesCALIBAN's Challenge - Defining "The South", 18-19 January 2018Artlas Lab, 15 November 2018. From the catalogue to the digital humanities: which methods for which results? Two solutions for the semantic description of semi-structured data: HER and GROBIDARTL@S Exhibitions DatabaseGeoMAP : Mapping the Parisian Art Market (1815-1955)Agenda15Feb 19CFP : Artifacts, Images and Forms in Global Circulation. A Digital Approach of Visual Semantics.07Feb 19February 7, 2019. Japanese Catalogues and Art History. An encounter with Pr. Torahiko Terada and his students from Tokyo University05Feb 19Digital Catalogues. Towards Interoperability (ENS, 5 Februray 2019)24Jan 1924 January 2019 – LAB: Geomapping the international circulations of women artists (B. Joyeux-Prunel)10Jan 19January 10, 2019 – LAB: How to study the international circulation of women artists? Women in the Artl@s catalogue database (B. Joyeux-Prunel & Léa Saint-Raymond))20Dec 18Artl@s’Lab : Tracing women in international exhibitions (B. Joyeux-Prunel)06Dec 18Séverine Sofio: Artists, gender and borders at the turn of the 19th c.29Nov 18Artists’ Widows and the posthumous lives of works (1945-1980) – Julie VerlaineTweet #Artlas
15Feb 19CFP : Artifacts, Images and Forms in Global Circulation. A Digital Approach of Visual Semantics.
07Feb 19February 7, 2019. Japanese Catalogues and Art History. An encounter with Pr. Torahiko Terada and his students from Tokyo University
24Jan 1924 January 2019 – LAB: Geomapping the international circulations of women artists (B. Joyeux-Prunel)
10Jan 19January 10, 2019 – LAB: How to study the international circulation of women artists? Women in the Artl@s catalogue database (B. Joyeux-Prunel & Léa Saint-Raymond))
