Béatrice Joyeux-Prunel : Managing Big Corpora of Sources Digitally

1.ARTL@S Seminar 2017-2018 : Opening
2.Béatrice Joyeux-Prunel : Why Not Map ?
3.The Artlas Databases : GEOMAP and the ARtlas Exhibition Database. Opening of the Test Phase
4.Béatrice Joyeux-Prunel: Exhibition catalogues and their use for art history
5.Elitza Dulguerova (INHA) : The Biennale de Paris. Issues of a Research Program.
6.Louis Gevart (PhD in Art History) : De jardin en jardin – La ronde des expositions internationales de sculpture en plein air dans l’Europe des années 1950
7.Cecilia Fajardo-Hill : the making of the Exhibition « Radical Women in Latin American Art 1960-1985 »
8.Thomas DaCosta Kaufmann (univ. de Princeton) : Tales of Trousers. Global clothing, history, and art history
9.B. Joyeux-Prunel : Digital Cartography: An Introduction, 1.
10.Elodie Vaudry : « Pre-colombian » // Alice Bombardier : The Biennials of Tehran (1958-1966)
11.Léa Saint-Raymond – Close and distant reading of art circulation in auctions
12.B. Joyeux-Prunel : Digital Cartography: An Introduction, 2.
13.Béatrice Joyeux-Prunel : Managing Big Corpora of Sources Digitally
14.Alexandre Kazerouni (PSL) : Les biennales comme outil d’analyse de la relation entre libéralisme culturel et autoritarisme dans le monde islamique depuis les années 1960
15.Artl@s Lab’ : Managing Big Corpora – Workshop
16.Adriana Ortega Orozco : Mexico at the Venice Biennial, 1950
17.WAS – Women Artists Shows·Salons·Societies (Catherine Dossin, Hanna Alkema)

This lab will help find and use efficient methods to deal with important corpora of sources, be they made of texts, images, catalogues. Questions such as Text encoding (TEI) and databases will be addressed.

Students are invited to come with their own data and questions.

Thursday, March 29, 13:30-15:30.

Place: Petite Salle ECLA , 45 rue d’Ulm, Paris, Escalier A, 3th floor (2e étage).