Paris Seminar 2019-2020, Introduction : Artistic Circulations in, from and to Asia
Program soon online Monday, 30 September, 2019, 10:00-12:00 AM. Salle de l’Institut d’Histoire moderne et contemporaine (Stair D, 3d floor). Free admission.
Program (Paris 2019-2020): Artistic Circulations in/from/to Asia, 19th-21th c.
Sessions will alternate between Classical sessions: invitations from specialists in the history of artistic circulations in, to and from Asia to the contemporary era Invitation of artists ARTL@S'LAB' sessions: a training workshop on digital methods, depending on the research topics…
Paris 2019-2020: Artistic Circulations in/from/to Asia, 19th-21th c.
Sessions will alternate between Classical sessions: invitations from specialists in the history of artistic circulations in, to and from Asia to the contemporary era Invitation of artists ARTL@S'LAB' sessions: a training workshop on digital methods, depending on the research topics…
Paris 2019-2020: Artistic Circulations from/in/to Asia, 19th-21th c.
Organisation : Léa Saint-Raymond (ENS/PSL) and Béatrice Joyeux-Prunel (Université de Genève), with Catherine Dossin, Assoc. Pr., Purdue Univ., USA, and Torahiko Terada, Tokyo University (UTokyo)
the Union des Femmes Peintre et Sculpteurs (Catherine Gonnard)
The session will be in French. L’union des femmes peintres et sculpteurs, créée notamment par la sculptrice Hélène Bertaux, en 1881 a perduré jusqu’en 1994. Ce qui en a fait une des organisations féministes des plus vivaces de cette fin…
CANCELED: Race, Ethnicity, Empathy. Radical Women. Latin American Art, 1960-1985 (Andrea GIUNTA)
-- Andrea Giunta had to cancel her trip to Europe. This seminar session is cancelled -- Departing from the works of the exhibition Radical Women: Latin American Art, 1960-1985, in this presentation I analyze a group of its works in…
Presentation of students’ work
The session will take place on April 18, 2019 in the IHMC room (45 rue d'Ulm, staircase D, 3rd floor), from 1:30 pm to 3:30 pm. Marina Mazze Cerchiaro (São Paulo University): "D'où viennent les femmes lauréates des biennales de…
Aphrodite-Vénus, ‘art femme par excellence’ (K. Bender)
Aphrodite-Venus, "woman of art par excellence" - Analysis and meta-analysis of a thematic research collection by K. Bender, independent researcher Why is Venus "this woman par excellence"? Because she was the all-powerful Goddess of love and the most beautiful? because…
March 21, 2019. Are the pioneers women of contemporary art in Turkey more globalized than their male peers? (Perin Emel Yavuz)
The contemporary art turn in Turkey took place in the 1970s and 1980s under the action of artists in the wake of the Istanbul Academy of Fine Arts. After training abroad, many of them bring back a corpus of texts…
Artlas moves on to Computer Vision and Deep Learning: Working on Image Contagions
Since spring 2017, the Artl@s team has been working to really integrate images into its project on the world history of artistic circulations. Thanks to our collaboration with Mathieu Aubry and his team at in Computer Vision at the École…
February 28, 2019 – LAB- Semantic Description of Catalogues (with Richard Walter)
This LAB session consists of an introduction to the semantic description techniques most commonly used in Digital Humanities: XML-TEI (Text Encoding Initiative). We will work on exhibition catalogues. Taking part to this session is required to validate the seminar. Session…
February 7, 2019. Japanese Catalogues and Art History. An encounter with Pr. Torahiko Terada and his students from Tokyo University
This session is an exceptional opportunity to welcome our partners from the University of Tokyo to Paris, thanks to the visit of Professor Torahiko Terada, and to the UTokyo Strategic Partnership Project of the University of Tokyo. Come in large…
24 January 2019 – LAB: Geomapping the international circulations of women artists (B. Joyeux-Prunel)
This session, which extends the January 10 session, aims to acquire the minimum skills to map the circulations of female artists identified in the Artl@s database catalogues. Participants must have worked since January 10 to complete and clean the data…
January 10, 2019 – LAB: How to study the international circulation of women artists? Women in the Artl@s catalogue database (B. Joyeux-Prunel & Léa Saint-Raymond))
This session of the seminar provides a concrete introduction to the work on the Artl@s databases, in particular on the global database of exhibition catalogues (https://artlas.huma-num.fr/map/#/). It will be devoted to identifying and highlighting the international circulations of women artists in…
Artl@s’Lab : Tracing women in international exhibitions (B. Joyeux-Prunel)
This session of the Artl@s' Lab proposes a collective workshop on women in the catalogue collections made available by the Artl@s database (direct access:: https://artlas.huma-num.fr/fr/database/). We will trace the presence of these women, their representation according to the places of…
Séverine Sofio: Artists, gender and borders at the turn of the 19th c.
In the vast majority of cases, the careers of female artists who exhibited at the Salon in Paris at the turn of the 19th century had an aesthetic and professional centre of gravity located in France. Nevertheless, by comparing with…
Artists’ Widows and the posthumous lives of works (1945-1980) – Julie Verlaine
Remarkable but often criticized figures, and always forgotten in the great account of the life of the "genius" with whom they met, artists' widows nevertheless play a fundamental role in the posthumous history of the works, in terms of visibility,…