On Mondays, every 2 weeks, 10:00-12:00 AM, Seminar Room of the Institut d'Histoire moderne et contemporaine (IIHMC). -45 rue d'Ulm, Paris, Stair D, last floor. 30 September 2019: Introduction (Léa Saint-Raymond, ENS & Béatrice Joyeux-Prunel, Université de Genève) An introdution…
Sessions will alternate between Classical sessions: invitations from specialists in the history of artistic circulations in, to and from Asia to the contemporary era Invitation of artists ARTL@S'LAB' sessions: a training workshop on digital methods, depending on the research topics…
Organisation : Léa Saint-Raymond (ENS/PSL) and Béatrice Joyeux-Prunel (Université de Genève), with Catherine Dossin, Assoc. Pr., Purdue Univ., USA, and Torahiko Terada, Tokyo University (UTokyo)
Sessions will alternate between Classical sessions: invitations from specialists in the history of artistic circulations in, to and from Asia to the contemporary era Invitation of artists ARTL@S'LAB' sessions: a training workshop on digital methods, depending on the research topics…
The session will be in French. L’union des femmes peintres et sculpteurs, créée notamment par la sculptrice Hélène Bertaux, en 1881 a perduré jusqu’en 1994. Ce qui en a fait une des organisations féministes des plus vivaces de cette fin…
-- Andrea Giunta had to cancel her trip to Europe. This seminar session is cancelled -- Departing from the works of the exhibition Radical Women: Latin American Art, 1960-1985, in this presentation I analyze a group of its works in…
The session will take place on April 18, 2019 in the IHMC room (45 rue d'Ulm, staircase D, 3rd floor), from 1:30 pm to 3:30 pm. Marina Mazze Cerchiaro (São Paulo University): "D'où viennent les femmes lauréates des biennales de…
Aphrodite-Venus, "woman of art par excellence" - Analysis and meta-analysis of a thematic research collection by K. Bender, independent researcher Why is Venus "this woman par excellence"? Because she was the all-powerful Goddess of love and the most beautiful? because…
The contemporary art turn in Turkey took place in the 1970s and 1980s under the action of artists in the wake of the Istanbul Academy of Fine Arts. After training abroad, many of them bring back a corpus of texts…
Since spring 2017, the Artl@s team has been working to really integrate images into its project on the world history of artistic circulations. Thanks to our collaboration with Mathieu Aubry and his team at in Computer Vision at the École…
This LAB session consists of an introduction to the semantic description techniques most commonly used in Digital Humanities: XML-TEI (Text Encoding Initiative). We will work on exhibition catalogues. Taking part to this session is required to validate the seminar. Session…
This session is an exceptional opportunity to welcome our partners from the University of Tokyo to Paris, thanks to the visit of Professor Torahiko Terada, and to the UTokyo Strategic Partnership Project of the University of Tokyo. Come in large…
This session, which extends the January 10 session, aims to acquire the minimum skills to map the circulations of female artists identified in the Artl@s database catalogues. Participants must have worked since January 10 to complete and clean the data…
This session of the seminar provides a concrete introduction to the work on the Artl@s databases, in particular on the global database of exhibition catalogues (https://artlas.huma-num.fr/map/#/). It will be devoted to identifying and highlighting the international circulations of women artists in…
This session of the Artl@s' Lab proposes a collective workshop on women in the catalogue collections made available by the Artl@s database (direct access:: https://artlas.huma-num.fr/fr/database/). We will trace the presence of these women, their representation according to the places of…
In the vast majority of cases, the careers of female artists who exhibited at the Salon in Paris at the turn of the 19th century had an aesthetic and professional centre of gravity located in France. Nevertheless, by comparing with…
Remarkable but often criticized figures, and always forgotten in the great account of the life of the "genius" with whom they met, artists' widows nevertheless play a fundamental role in the posthumous history of the works, in terms of visibility,…