In partnership with the Artl@s project, AWARE introduces WAS (Women Artists Shows.Salons.Societies), a research project focusing on group exhibitions of women artists. Our ambition is to build a descriptive and analytical catalogue of these exhibitions from the end of the…
Thursday, May 3, 2018 13:30-15:30. Salle de l’IHMC, 45 rue d’Ulm, Paris, Escalier D, 4th Floor (3e étage).
This workshop will deal with open source mapping environments for the processing and dissemination of spatial art historical data (such as exhibition catalogues).
Cette séance sera l’occasion d’expérimenter de nouvelles méthodes pour l’étude formelle des œuvres. Comme l’avait mis en évidence Francis Haskell, les canons de l’histoire de l’art sont soumis à des normes, des caprices et des amnésies – même les maîtres…
Elodie Vaudry : "Pre-Columbian" Constructions and appropriations between Latin America and Europe, 1875-1945 This paper will deal with the reception and the appropriations of pre-Columbian and indigenous arts from Latin-America on the French art scene, and their use as elements of nationalist…
This workshop will deal with open source mapping environments for the processing and dissemination of spatial art historical data (such as exhibition catalogues).
In history or art history, global or otherwise, documents, works of art, and actual surviving clothing provide information about the history of costume as in other aspects of the construction of history and art history. The history of trousers offers…
"I propose a discussion about the making of "Radical Women" during an 8 years research process. This talk will give firstly an overview of the type of invisibility and stereotypical approaches that women artists have endured in Latin America in…
Dans la Reconstruction, l’histoire de la sculpture européenne s’écrit sur les pelouses des jardins publics. À Londres en 1948, Arnhem en 1949 et Anvers en 1950, le rythme est lancé, avec des Biennales et Triennales dessinant les contours d’un musée…
The Paris Biennale was founded in 1959 by André Malraux, to welcom "young artists" (younger than 35), and was organized until 1985. Since 2016, the Institut national d’histoire de l’art has opened a research program on the Biennale. The project…
Les catalogues d'exposition représentent une source fréquente pour l'histoire de l'art. Mais cette source n'est pas utilisée au meilleur de ses potentiels. Cette séance proposera plusieurs manières d'aborder le catalogue d'exposition - en partant de sa critique historique (l'exposition a-t-elle…
Séance organisée par Béatrice Joyeux-Prunel, with Julien Cavero and Léa Saint-Raymond. Lauching of a collective Test-phase on the Artlas Exhibition Database. Presentation by Béatrice Joyeux-Prunel. Presentation of GEOMAP - Mapping the Parisian Art Market, 1815-1955, with Léa Saint-Raymond and Julien…
An introductory course to cartography. 1st session. Come with a PC ordinateur (no tablet) QGIS installed (download here) An Artlas Account (here) Excel or a similar software Make sure you will be able to access to the internet with your…
Salle de l’IHMC, 45 rue d’Ulm, Paris, Escalier D, 4th floor (3e étage).
Artlas provides researchers with access to a database that includes catalogues of fairs and exhibitions of modern art from the late 19th century to the present and can produce quantitative interface mapping with this data. The seminars are part of…